{"id":1989,"date":"2023-03-03T10:42:14","date_gmt":"2023-03-03T10:42:14","guid":{"rendered":"https:\/\/mpelembe.net\/?p=1989"},"modified":"2023-03-03T10:42:14","modified_gmt":"2023-03-03T10:42:14","slug":"de-la-soul-is-coming-to-streaming-services-a-brief-guide-to-their-best-work","status":"publish","type":"post","link":"https:\/\/mpelembe.net\/index.php\/de-la-soul-is-coming-to-streaming-services-a-brief-guide-to-their-best-work\/","title":{"rendered":"De La Soul is coming to streaming services \u2013 a brief guide to their best\u00a0work"},"content":{"rendered":"<p><span><a href=\"https:\/\/theconversation.com\/profiles\/adam-de-paor-evans-341123\">Adam de Paor-Evans<\/a>, <em><a href=\"https:\/\/theconversation.com\/institutions\/university-of-plymouth-717\">University of Plymouth<\/a><\/em><\/span><\/p>\n<p>De La Soul is one of the most significant and iconic groups in the history of hip hop. Comprising three members, Trugoy The Dove, Posdnous and Maseo, De La Soul worked together for 35 years releasing innovative music, touring and collaborating with artists from a range of genres until Trugoy\u2019s death in February 2023.<\/p>\n<p><!--more--><\/p>\n<p>Since their debut album <a href=\"https:\/\/pitchfork.com\/reviews\/albums\/de-la-soul-3-feet-high-and-rising\/\">Three Feet High And Rising<\/a> in 1989, De La Soul have been challenging and changing the sound of hip hop. While they tipped their hat at the genre\u2019s roots, they pushed hip hop\u2019s boundaries by using a range of unusual samples and production techniques. <\/p>\n<hr>\n<figure class=\"align-right \">\n            <img decoding=\"async\" alt=\"Quarter life, a series by The Conversation\" data-src=\"https:\/\/images.theconversation.com\/files\/451343\/original\/file-20220310-13-1bj6csd.png?ixlib=rb-1.1.0&#038;q=45&#038;auto=format&#038;w=237&#038;fit=clip\" data-srcset=\"https:\/\/images.theconversation.com\/files\/451343\/original\/file-20220310-13-1bj6csd.png?ixlib=rb-1.1.0&#038;q=45&#038;auto=format&#038;w=600&#038;h=600&#038;fit=crop&#038;dpr=1 600w, https:\/\/images.theconversation.com\/files\/451343\/original\/file-20220310-13-1bj6csd.png?ixlib=rb-1.1.0&#038;q=30&#038;auto=format&#038;w=600&#038;h=600&#038;fit=crop&#038;dpr=2 1200w, https:\/\/images.theconversation.com\/files\/451343\/original\/file-20220310-13-1bj6csd.png?ixlib=rb-1.1.0&#038;q=15&#038;auto=format&#038;w=600&#038;h=600&#038;fit=crop&#038;dpr=3 1800w, https:\/\/images.theconversation.com\/files\/451343\/original\/file-20220310-13-1bj6csd.png?ixlib=rb-1.1.0&#038;q=45&#038;auto=format&#038;w=754&#038;h=754&#038;fit=crop&#038;dpr=1 754w, https:\/\/images.theconversation.com\/files\/451343\/original\/file-20220310-13-1bj6csd.png?ixlib=rb-1.1.0&#038;q=30&#038;auto=format&#038;w=754&#038;h=754&#038;fit=crop&#038;dpr=2 1508w, https:\/\/images.theconversation.com\/files\/451343\/original\/file-20220310-13-1bj6csd.png?ixlib=rb-1.1.0&#038;q=15&#038;auto=format&#038;w=754&#038;h=754&#038;fit=crop&#038;dpr=3 2262w\" data-sizes=\"(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\"><figcaption>\n              <span class=\"caption\"><\/span><\/p>\n<\/figcaption><\/figure>\n<p><em><strong><a href=\"https:\/\/theconversation.com\/uk\/topics\/quarter-life-117947?utm_source=TCUK&#038;utm_medium=linkback&#038;utm_campaign=UK+YP2022&#038;utm_content=InArticleTop\">This article is part of Quarter Life<\/a><\/strong>, a series about issues affecting those of us in our twenties and thirties. From the challenges of beginning a career and taking care of our mental health, to the excitement of starting a family, adopting a pet or just making friends as an adult. The articles in this series explore the questions and bring answers as we navigate this turbulent period of life.<\/em><\/p>\n<p><em>You may be interested in:<\/em><\/p>\n<p><em><a href=\"https:\/\/theconversation.com\/festivals-must-do-more-to-address-sexual-violence-189188?utm_source=TCUK&#038;utm_medium=linkback&#038;utm_campaign=UK+YP2022&#038;utm_content=InArticleTop\">Festivals must do more to address sexual violence<\/a><\/em><\/p>\n<p><em><a href=\"https:\/\/theconversation.com\/black-panther-2-why-the-death-of-someone-young-can-be-harder-to-handle-195307?utm_source=TCUK&#038;utm_medium=linkback&#038;utm_campaign=UK+YP2022&#038;utm_content=InArticleTop\">Black Panther 2: why the death of someone young can be harder to handle<\/a><\/em><\/p>\n<p><em><a href=\"https:\/\/theconversation.com\/rihanna-and-radical-pregnancy-fashion-how-the-victorians-made-maternity-wear-boring-182000?utm_source=TCUK&#038;utm_medium=linkback&#038;utm_campaign=UK+YP2022&#038;utm_content=InArticleTop\">Rihanna and radical pregnancy fashion \u2013 how the Victorians made maternity wear boring<\/a><\/em><\/p>\n<hr>\n<p>They also had championed a \u201cnew form of speak\u201d \u2013 a conversational, persuasive lyrical delivery. The words that they rapped also presented a different type of rapper, a more emotional and softer version. Their songs addressed significant subject matter including Black history, personal identity, family and relationship struggles and social cohesion. These songs challenged the unhelpful stereotypes of rap artists that the industry and audiences had come to expect.<\/p>\n<p>Across eight studio albums and numerous collaborations De La Soul continued to champion musical and cultural innovation.<\/p>\n<p>After years of <a href=\"https:\/\/www.theroot.com\/officially-all-good-de-la-soul-finally-gets-masters-ba-1847456177\">industry conflict<\/a>, De La Soul\u2019s complete back catalogue will be finally released on all streaming platforms from March 2023. If you are a fan of Kendrick Lamar, Frank Ocean or Childish Gambino, I encourage you to explore De La Soul\u2019s discography, it\u2019s all good. Here are five songs to introduce you to their back catalogue: <\/p>\n<p><strong>1. Potholes In My Lawn<\/strong><\/p>\n<p>Originally released on the five-track EP Jenifa (Taught Me) in 1988, Potholes In My Lawn is significant for its original use of metaphors to deliver the established hip hop trope of biting \u2013 that is, stealing ideas. In the song, the lawn represents De La Soul\u2019s raps and the potholes are the chunks that biting MCs \u2013 those that steal their rhymes \u2013 have taken. The group sample <a href=\"https:\/\/www.youtube.com\/watch?v=9Jms7nde0Rc&#038;ab_channel=ReelblackOne\">Eric Burdon and War\u2019s Magic Mountain<\/a>, which can be heard in the trilling trumpets. <\/p>\n<figure>\n            <iframe width=\"440\" height=\"260\" data-src=\"https:\/\/www.youtube.com\/embed\/dYXOs3vuNio?wmode=transparent&#038;start=0\" frameborder=\"0\" allowfullscreen=\"\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/p>\n<\/figure>\n<p>The introduction speech states: <\/p>\n<blockquote>\n<p>Yo, something\u2019s wrong here. No, not again?<br \/>\nGet the daisies for the potholes in my lawn. <\/p>\n<\/blockquote>\n<p>In the video, Trugoy leans against a timber-clad building, delivering his lyrics as if explaining some encounter or seeking advice from whoever might listening. <\/p>\n<p><strong>2. Ghetto Thang<\/strong><\/p>\n<p>The second selection from their debut album, Ghetto Thang approaches social destitution and the breakdown of family structures through the figures of nursery rhyme characters. For example:<\/p>\n<figure>\n            <iframe width=\"440\" height=\"260\" data-src=\"https:\/\/www.youtube.com\/embed\/cP_REoiEtuI?wmode=transparent&#038;start=0\" frameborder=\"0\" allowfullscreen=\"\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/p>\n<\/figure>\n<blockquote>\n<p>Mary had a little lamb,<br \/>\nthat\u2019s a fib, she had two twins though,<br \/>\nand one crib <\/p>\n<\/blockquote>\n<p>Here they introduce a narrative of the 14-year-old mother, a victim of social deprivation, all too common in the projects. Posdnous\u2019 raps, \u201cBut this defect is ground common in these parts\u201d. This is further amplified by Trugoy as he ends, \u201cBut dreams ain\u2019t what it seems, When it\u2019s just the ghetto thang.\u201d Here they sample <a href=\"https:\/\/www.youtube.com\/watch?v=ILrvgPkFuXI&#038;ab_channel=GrownFolks\">Rock Creek Park<\/a> by The Blackbyrds\u2019, which can be heard in the chorus. <\/p>\n<p><strong>3. Oooh. (featuring Redman)<\/strong><\/p>\n<figure>\n            <iframe width=\"440\" height=\"260\" data-src=\"https:\/\/www.youtube.com\/embed\/tbqrGpZMYjA?wmode=transparent&#038;start=0\" frameborder=\"0\" allowfullscreen=\"\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/p>\n<\/figure>\n<p>This song from their 2000 album Art Official Intelligence: Mosaic Thump initially seems to take the form of a conventional boom bap rap song \u2013 a style of beat production developed in the late 80s centred on a hard-hitting bass drum and snapping snare drum. This sort of rap was typified by mid-90s groups such as Mobb Deep or Wu-Tang Clan. <\/p>\n<p>However, the song\u2019s incredible bounce lifts the vibe sky high as Redman, Posdnous and Trugoy flex traditional pass-the-mic style raps in unexpected ways. Pauses, soundbites and reimagined rhyme patterns and the creative use of the famous breakbeat from <a href=\"https:\/\/www.youtube.com\/watch?v=HNODqOk01Ls\">Blow Your Head by Fred Wesley and The JBs<\/a> positions this song as a true innovative rap classic.<\/p>\n<p><strong>4. All Good? (featuring Chaka Khan)<\/strong><\/p>\n<figure>\n            <iframe width=\"440\" height=\"260\" data-src=\"https:\/\/www.youtube.com\/embed\/Mr6UIPVNwLw?wmode=transparent&#038;start=0\" frameborder=\"0\" allowfullscreen=\"\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/p>\n<\/figure>\n<p>Another exemplary song illustrating De La Soul\u2019s collaborative approach, All Good? enlists the powerful voice of Chaka Khan. As Chaka sings a much extended bridge and hook-line preceding each verse of rap, this places her as a clear antagonist to Trugoy and Posdnous in the song\u2019s narrative and structure. By doing so, the song reimagined the 90s R&#038;B song structure popularised by artists such as Mary J. Blige and Faith Evans. Thematically, the song again comments on music industry tensions between artist and record labels.   <\/p>\n<p>The swing in this song is tremendous, the beat dropping in and out in unanticipated places creates an almost minimalist production. This provides space for Chaka\u2019s sublime vocals which, intertwines with Trugoy and Posdnous\u2019 raps perfectly. A benchmark for R&#038;B rap collaborative crossover.<\/p>\n<p><strong>5. Exodus<\/strong><\/p>\n<p>Exodus is the last song on the final studio album <a href=\"https:\/\/pitchfork.com\/reviews\/albums\/22353-and-the-anonymous-nobody\/\">And The Anonymous Nobody<\/a> released in 2016. Exodus truly encapsulates everything about De La Soul\u2019s musical ethos and all that is good about hip hop music \u2013 despite not containing any rap as such. <\/p>\n<figure>\n            <iframe width=\"440\" height=\"260\" data-src=\"https:\/\/www.youtube.com\/embed\/SXUrOzR6N9g?wmode=transparent&#038;start=0\" frameborder=\"0\" allowfullscreen=\"\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/p>\n<\/figure>\n<p>As De La Soul state, \u201cWith the outro that\u2019s also an intro\u201d, Exodus moves through a cyclical mesmerising melody, reminding us of what De La Soul are about &#8211; hip hop artists who believe in the progression of music through peer support, collaboration and discursive ideas. Exodus is both celebration and lament. It is reflective upon their lived experience in the world, hip hop community and music industry, yet also forward-looking \u2013 a call to arms of sorts for the future of hip hop. <\/p>\n<p>Signing off:<\/p>\n<blockquote>\n<p>We are the present, the past, and still the future. Bound by friendship, fuelled and inspired by what\u2019s at stake. Saviours, heroes? Nah. Just common contributors hoping that what we create inspires you to selflessly challenge and contribute. Sincerely, Anonymously, Nobody. <\/p>\n<\/blockquote>\n<p>It is almost as if they knew that this would be their last album as a trio as member <a href=\"https:\/\/theconversation.com\/de-la-souls-trugoy-the-dove-was-a-true-musical-disruptor-who-broke-the-hip-hop-mould-199839\">Trugoy died in early 2023<\/a>, just before the back catalogue brought new listeners to this group of ground breakers.<\/p>\n<p><span><a href=\"https:\/\/theconversation.com\/profiles\/adam-de-paor-evans-341123\">Adam de Paor-Evans<\/a>, Research Lead at Rhythm Obscura, <em><a href=\"https:\/\/theconversation.com\/institutions\/university-of-plymouth-717\">University of Plymouth<\/a><\/em><\/span><\/p>\n<p>This article is republished from <a href=\"https:\/\/theconversation.com\">The Conversation<\/a> under a Creative Commons license. Read the <a href=\"https:\/\/theconversation.com\/de-la-soul-is-coming-to-streaming-services-a-brief-guide-to-their-best-work-200382\">original article<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Adam de Paor-Evans, University of Plymouth De La Soul is one of the most significant and iconic groups in the history of hip hop.<a class=\"moretag\" href=\"https:\/\/mpelembe.net\/index.php\/de-la-soul-is-coming-to-streaming-services-a-brief-guide-to-their-best-work\/\">Read More&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":1990,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"googlesitekit_rrm_CAowu7GVCw:productID":"","_crdt_document":"","activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":""},"categories":[17],"tags":[4847,4854,4851,4853,722,4843,4844,4862,1303,4852,4860,4859,4856,2379,4846,4848,4312,4861,4857,705,471,4849,4855,4863,4858,4845],"class_list":["post-1989","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","tag-3-feet-high-and-rising","tag-adam-de-paor-evans","tag-chaka-khan","tag-childish-gambino","tag-creative-commons","tag-david-jude-jolicoeur","tag-de-la-soul","tag-de-la-soul-discography","tag-entertainers","tag-eric-burdon","tag-faith-evans","tag-frank-ocean","tag-fred-wesley","tag-hip-hop","tag-hip-hop-music","tag-kelvin-mercer","tag-kendrick-lamar","tag-mary-j-blige","tag-maseo","tag-music","tag-musicians","tag-rapping","tag-redman","tag-thang","tag-trugoy","tag-vincent-mason"],"featured_image_src":"https:\/\/mpelembe.net\/wp-content\/uploads\/2023\/03\/file-20230222-23-1v2tut-1024x724.png","blog_images":{"medium":"https:\/\/mpelembe.net\/wp-content\/uploads\/2023\/03\/file-20230222-23-1v2tut-300x212.png","large":"https:\/\/mpelembe.net\/wp-content\/uploads\/2023\/03\/file-20230222-23-1v2tut-1024x724.png"},"ams_acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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