Tag Archives: William Shakespeare

22Oct/26

Why Machiavelli Believed Rulers Need Dirty Hands

Power, Virtù, and Human Nature: A Multidisciplinary Synthesis of Machiavellian Pragmatism

Thu Oct. 22, 2026 /Mpelembe Media/ — Niccolò Machiavelli’s foundational political thought, articulated in The Prince (1513) and the Discourses on Livy (1517), marks a radical shift from classical teleological ethics and medieval Christian scholasticism toward empirical political realism. Rejecting idealized imaginary republics, Machiavelli sought the “effectual truth” of human behavior, asserting that effective governance must be guided by strategic necessity (necessità) and the preservation of state stability (ragione di stato) rather than abstract moral pieties. He redefined virtù not as moral goodness, but as the dynamic capability, drive, and tactical agility—symbolized by combining the courage of the lion with the cunning of the fox—required to master unpredictable circumstances (fortuna). Although critics historically viewed The Prince as an autocratic handbook and the Discourses as a defence of republican liberty, scholars emphasize that these works are complementary: princely authority is often necessary to establish order in a corrupted state, whereas a mixed republican constitution preserves long-term security, popular freedom, and civic vitality. Continue reading →

06Jun/26

Mind The Gap

Across the Pond: A Student’s Guide to British and American English

Sat, Jun 06 2026 /Mpelembe Media/ — The provided sources explore the multifaceted process of software localization, emphasizing that treating “English” as a single, monolithic language is a critical mistake that can lead to user alienation, SEO issues, and brand mistrust. Proper localization requires adapting to distinct linguistic, cultural, and technical differences between American (US) and British (UK) English. Continue reading →

24Mar/26

The Anatomy of Disintegration: Madness, Blindness, and Nihilism in King Lear

Historical Context and Sources
March 24, 2026 /Mpelembe Media/ — Shakespeare adapted King Lear from a variety of historical and literary texts, most notably Geoffrey of Monmouth’s 12th-century Historia Regum Britanniae, Raphael Holinshed’s Chronicles, and an anonymous 1605 play titled The True Chronicle History of King Leir. While these earlier legends traditionally featured a happy ending where the king is restored to power by his loyal daughter, Shakespeare radically altered the narrative by introducing a bleak, catastrophic conclusion. This shift allowed Shakespeare to explore the political anxieties of Jacobean England, specifically the fears surrounding succession, the division of kingdoms, and the “Divine Right of Kings” following the death of Queen Elizabeth I. 

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06Dec/24

Folger Theatre Announces Plays and Playwrights for Third Annual Reading Room Festival, a Four-Day Celebration of Staged Readings in Conversation with Shakespeare

Folger Theatre announces the plays and playwrights for the third annual Reading Room Festival, a four-day festival of staged readings, panel discussions, workshops, and community celebrations. The Reading Room Festival runs from Thursday, January 30 through Sunday, February 2, 2025, at the Folger. Playwrights and adaptors of Shakespeare’s works include Barry Edelstein, Emily Lyon, Reynaldo Piniella, and Whitney White. Continue reading

19Sep/23

The Folio Society announces the publication of The Complete Plays By William Shakespeare


Celebrating the 400th anniversary of William Shakespeare’s First Folio, The Folio Society will release a landmark limited edition of Shakespeare’s The Complete Plays on Tuesday, September 26, its most ambitious limited edition in the company’s 75-year history. Continue reading